david passick entertainment
Makaya McCraven "In These Times"
MOJO - The 50 Best Albums Of 2022 - #19
“Another of International Anthem’s Chicago stable of virtuoso insurgents, drummer and bandleader McCraven was first sighted outside jazz circles with his 2020 album-length remix of Gil Scott-Heron. In These Times, though, was McCraven’s boldest statement yet, a sumptuous chamber jazz suite powered by his jittery beats and well-connected community activism. One to file alongside David Axelrod’s scores or, more recently, Kamasi Washington’s similarly ambitious epics.”
Uncut - Uncut’s Best New Albums Of 2022 - #44
“Though renowned as an inventive jazz drummer, McCraven is also a talented composer, arranger and programmer. Those skills came to the fore on his sixth album, recorded piecemeal over the course of seven years with a cast of Chicago luminaries but always sounding like a unified work: the lush, sweeping visions of Charles Stepney or David Axelrod allied to the addictive lollop of J Dilla’s beats.”
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FADER included In These Times in their “50 Best Albums of 2022” at # 48 saying:
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“Even amidst a contemporary revival that has reemphasized Jazz’s groove and status as Black music, In These Times is a singular achievement, one proving that McCraven’s dialog between past and present is a fruitful one, and that he has much more left to say”
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NPR published their overall list (Makaya’s album was already mentioned on Nate Chinen and Sheldon Pearce’s year-end lists) and included In These Times at # 7 on their “50 Best Albums of 2022” saying:
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In These Times is the album that Makaya McCraven has been wanting to make his whole life: a sonic sock-it-to-me cake that folds in his beatmaking, clever compositions, Hungarian lineage (from his folk singer mother) and free-jazz roots (from his drummer father) alongside symphonic and heavy funk. The scale of the work alone is breathtaking, yet intentionally inclusive. A slice of this album makes the case that today's jazz greats deserve to be included on everybody's plate. —Ayana Contreras, Vocalo
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Glide Magazine included In These Times in their Best Jazz Albums of 2022 round-up saying:
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It’s often been said that the best players can be quickly identified in just a few notes or beats. Makaya is one of them. He has a singular, readily identifiable style.
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Aquarium Drunkard mentioned In Theses Times in their annual Year In Review saying:
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The jazz percussionist’s most accomplished work to date, In These Times almost feels like a cathartic soundtrack to the downs of everyday life. Recalling the comforting soundscapes of the likes of Dortohy Ashby, the instrumental suite features a remarkable cast of collaborators including Jeff Parker, harpist Brandee Younger and Blue Note’s Joel Ross on vibraphone/marimba. Handling a multitude of instruments himself, In These Times has proven McCraven a masterful composer of modern jazz and beyond.
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Pino Palladino & Blake Mills "That Wasn't A Dream"
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Pitchfork: “Textural and atmospheric exploration of musical stillness through movement … the album feels like a surreal journey — where time distorts and moments stretch or fold.”
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Song Bar: “An intriguingly original, eclectic, experimental collection of offbeat jazz instrumentals … this is an oddly beautiful piece of free-flowing, liberatingly lovely, stripped-back experiment.”
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The New York Times (via Drummerszone): “Nimble, unpredictable… a global-funk instrumental that seems to take shape on the spot like a Weather Report composition.”
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All About Jazz: "Kuroda continues to find his groove and expressive essence on Everyday. Through his inspired amalgamation of jazz, funk, hip-hop, and neo-soul, this release exhibits an ability to think beyond the boring and basic, to see what lies ahead."
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KNKX Public Radio: "Everyday shows that his promise has been fulfilled... The overall sound of the band is dominated by the connection between Kuroda’s staccato trumpet lines and dynamic drumming of David Frazier Jr."
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Something Else! Reviews: "This is Kuroda's signature blend of modern jazz with funk, RnB, neo-soul, and hip-hop but leaning into the latter two components just a little more than before."
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Echoes and Dust: "A cross-pollinated album that veers from jazz-funk to prog and fusion, dropping hip-hop beats and neo-soul all over the place."
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7th Level Music: "It's another slick record for Kuroda, who is quickly becoming one of my 'Have you heard this guy?' recommendations for anyone who even gives me a hint of interest in jazz."
Takuya Kuroda "EVERYDAY"
Mark Whitfield
Solo record with "Soul Conversation" coming 2025
BIGYUKI
Solo record coming 2025
Yoni Mayraz "Dogs Bark Babies Cry"
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Everything Is Noise: "Yoni Mayraz locks into coolness and slick jazz funk as a signature sound on his sophomore album, Dogs Bark Babies Cry. The warmth and easy coolness, the sharp, yet nuanced performances, and the wide range of moods make Dogs Bark Babies Cry a perfect record to move from summer into autumn’s cooler weather."
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Norman Records: "Dogs Bark Babies Cry channels personal fears and desires into adventurous instrumental expression. Backed by bassist Tom Driessler and drummer Zoe Pascal, Mayraz expands his distinctive approach to jazz with modern, experimental, and electronic elements."
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Album of the Year: "Yoni Mayraz presents Dogs Bark Babies Cry, an album that channels personal fears and desires into adventurous instrumental expression."
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Apple Music: "Dogs Bark Babies Cry explores fears and desires through musical expression. Backed by bassist Tom Driessler and drummer Zoe Pascal, the album showcases Yoni's distinctive, outward-looking approach to instrumental music, merging jazz elements with modern, experimental, and electronic influences."
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Bandcamp: "Keyboardist and producer Yoni Mayraz returns with an anticipated new album, Dogs Bark Babies Cry. The follow-up to his breakout debut Dybbuk Tse! sees Mayraz pushing his singular sound into deeper, wilder territory."